Jojo Siwa Reveals Her ‘Two Different People’ Act — From ‘Joelle’ to a Horse-Racing Pep Talk
In a surprising dual display, jojo siwa used a March 16 TikTok to stage a playful split between her current, calmer self and an edgier past persona — then turned up on a horse-racing podcast urging fans to “give it a shot. ” The clip paired two outfits from her “I’m Still Dancing” music video while she lip-synced a vocal argument and framed a broader identity shift tied to her decision to go by her given name, Joelle.
Why this moment matters now
The timing is notable. jojo siwa listed “Joelle Siwa” on her TikTok on New Year’s Eve 2025 and has described warming to the name in public comments: “I’ve gotten more comfortable with the idea of Joelle, ” she said, noting that her boyfriend, Chris Hughes, had begun calling her Joelle even as family and friends used different names. At 22, the performer framed the change as part of an evolving self — “I feel like Joelle more so now than ever, ” she said — and that evolution played out visually in the March TikTok, where neat, baby-pink styling for “Joelle” contrasted with a 2024 punk-rock “bad girl era. “
Jojo Siwa’s personas: what the wardrobe and music reveal
On the March 16 TikTok, Joelle’s baby-pink clothes and tidy hair stood opposite an image tied to her 2024 song “Karma”: teased hair, edgy attire and bold black face paint. The clip used two looks from Joelle’s “I’m Still Dancing” video and leaned on a Kardashian voiceover to dramatize the divide — a visual shorthand Joelle herself captioned by saying, “You could tell me these are 2 different people and I would believe you. “
The video also acknowledged other eras she has inhabited: a glittery, high-energy phase reminiscent of her childhood on Dance Moms, plus personas presented as a construction worker, a softball player and the stylings from a controversial cover of “Bette Davis Eyes. ” That catalogue of looks — and the explicit naming shift to Joelle — makes the TikTok a compact inventory of how image, music and personal naming intersect in her public life.
From TikTok to the turf: Joelle on horse racing and audience reach
Beyond style statements, jojo siwa used her platform on a horse-racing podcast called The Paddock to encourage fans to try a pastime she said surprised her. On the program she said: “Give it a shot. Try it. You might enjoy it…. Give it a watch. Give it a go. Give it three goes. ” She offered a simple tip for newcomers: “Go for a horse that is your favourite in your own mind. Back your own horse. ” The episode included panelists Oli Bell, Rishi Persad, Tom Stanley and Chris Hughes and explored topics from seeing horses for the first time to ways to reach younger demographics with racing.
Expert perspective and the public conversation
Joelle Joanie Siwa, singer, has repeatedly described the name shift and its emotional valence: “I think Joelle is the happy version of JoJo, and I feel like JoJo is the crazy version of Joelle. ” That framing — offered in public remarks while she navigates new music visuals and cross-media appearances — gives a rare first-person account of how an artist assesses identity work. On the podcast, her practical advice to potential horse-racing newcomers reinforced a consistent messaging mix: personal disclosure paired with active encouragement to explore new experiences.
The cumulative picture is straightforward: a public figure is curating both aesthetic eras and conversational reach. The TikTok catalogued visual phases; the podcast appearance translated that public visibility into a direct ask of fans to consider a cultural activity they might not otherwise attend.
Will Joelle’s naming choice and genre-spanning imagery change how audiences engage with her music and public appearances — or inspire new fans to visit the racetrack? jojo siwa has opened the conversation; the next moves will show whether her dual-persona framing becomes a lasting artistic motif or a passing chapter.
